https://yiannisandronikidis.com Yiannis Andronikidis Wed, 22 Nov 2023 09:21:20 +0000 https://yiannisandronikidis.com en https://yiannisandronikidis.com/blUe-magnets Wed, 22 Nov 2023 09:21:20 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/blUe-magnets &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; blUe magnets: a few millibreaths away from intimacy&nbsp; [&nbsp; &nbsp; &nbsp;] μπλε μαγΝήτες: μερικά χιλιόπνοα μακριά από την οικειότητα A) GLIMPSE) OF) Athens 2024 EMAIL / DM FOR ORDER <img width="1400" height="1774" width_o="1400" height_o="1774" data-src="https://freight.cargo.site/t/original/i/82661855496f4cf8e961bb09dcd3e5efb6227c6126ebdd7e063c887078183ad6/IMG_5794.jpg" data-mid="236906427" border="0" src="https://freight.cargo.site/w/1000/i/82661855496f4cf8e961bb09dcd3e5efb6227c6126ebdd7e063c887078183ad6/IMG_5794.jpg" /> <img width="1400" height="1797" width_o="1400" height_o="1797" data-src="https://freight.cargo.site/t/original/i/667eddd425c9addec8f9cd6eaa6414fba1ecc5259aa86a66aa2e02a1aaa75962/IMG_5796.jpg" data-mid="236906436" border="0" src="https://freight.cargo.site/w/1000/i/667eddd425c9addec8f9cd6eaa6414fba1ecc5259aa86a66aa2e02a1aaa75962/IMG_5796.jpg" /> <img width="1400" height="1866" width_o="1400" height_o="1866" data-src="https://freight.cargo.site/t/original/i/f9eb09115db1fc6ad7d85622985aa4b7135bd85ba357db559d42cca9386f8a62/IMG_5797-_1_.jpg" data-mid="236906444" border="0" src="https://freight.cargo.site/w/1000/i/f9eb09115db1fc6ad7d85622985aa4b7135bd85ba357db559d42cca9386f8a62/IMG_5797-_1_.jpg" /> <img width="1400" height="1866" width_o="1400" height_o="1866" data-src="https://freight.cargo.site/t/original/i/5ee231659fa1d2a0f564bbaf1abfa494e413df1f03a32ae2b5289fb0c0187220/IMG_5795.jpg" data-mid="236906445" border="0" src="https://freight.cargo.site/w/1000/i/5ee231659fa1d2a0f564bbaf1abfa494e413df1f03a32ae2b5289fb0c0187220/IMG_5795.jpg" /> <img width="1400" height="1866" width_o="1400" height_o="1866" data-src="https://freight.cargo.site/t/original/i/a690fdb2e9de9abdcfba7c3840c29b45dab247e1d27f1eb0ce4d71a126db8d0a/IMG_5800.jpg" data-mid="236906455" border="0" src="https://freight.cargo.site/w/1000/i/a690fdb2e9de9abdcfba7c3840c29b45dab247e1d27f1eb0ce4d71a126db8d0a/IMG_5800.jpg" /> <img width="1400" height="1866" width_o="1400" height_o="1866" data-src="https://freight.cargo.site/t/original/i/15685189557d366932d68338801c16afef1fa8b69bb512c9764ab29796ff260a/IMG_5798.jpg" data-mid="236906460" border="0" src="https://freight.cargo.site/w/1000/i/15685189557d366932d68338801c16afef1fa8b69bb512c9764ab29796ff260a/IMG_5798.jpg" /> <img width="1400" height="1866" width_o="1400" height_o="1866" data-src="https://freight.cargo.site/t/original/i/c5605b0b6c82d4a9b07e8928d3d7c3fc521aeb878db7f3655895c35e34bdb07e/IMG_5799.jpg" data-mid="236906462" border="0" src="https://freight.cargo.site/w/1000/i/c5605b0b6c82d4a9b07e8928d3d7c3fc521aeb878db7f3655895c35e34bdb07e/IMG_5799.jpg" /> <img width="1400" height="1800" width_o="1400" height_o="1800" data-src="https://freight.cargo.site/t/original/i/e88408e0b72553df815d3d58126e2e8296008bc0abc5eba55e9272e3dcb14083/IMG_5801.jpg" data-mid="236906463" border="0" src="https://freight.cargo.site/w/1000/i/e88408e0b72553df815d3d58126e2e8296008bc0abc5eba55e9272e3dcb14083/IMG_5801.jpg" /> Photos:&nbsp;Marija Repšytė.“blUe magnets: a few millibreaths away from intimacy” is a collection of poem-letters that intermittently document the lives and movements of the author’s grandfather, N.K., as well as those of their family across Greece-Switzerland-Canada-Greece, from the 1960s until the present day. Drawing from the photographic and textual body of the family archive, the author (self)translates these lives and movements into new archival bodies and languages. “blUe magnets” are composed with the same tools that N.K. used in the factories and spaces where he worked—calipers, micrometers—alongside other tools, like the spectrogram (here, the visualization of the archival images’ sounds) and the process of translation itself. The book appropriates the forgotten and now disused 19th-century type of ‘blue magnetism,’ and introduces ‘millibreaths,’ an invented unit of measurement whose constant deviation highlights the paradox of being at once close to and far from a language, a body, an I that we call intimacy. Το βιβλίο «μπλε μαγΝήτες: μερικά χιλιόπνοα μακριά από την οικειότητα» είναι μια συλλογή ποιημάτων-γραμμάτων που καταγράφουν διακεκομμένα τις ζωές και τις μετακινήσεις του παππού του συγγραφέα, Ν.Κ., αλλά και της οικογένειάς τους σε Ελλάδα-Ελβετία-Καναδά-Ελλάδα, από το 1960 μέχρι και σήμερα. Αφορμάται από το φωτογραφικό και κειμενικό σώμα του οικογενειακού αρχείου, στο οποίο είναι εγγεγραμμένες οι ζωές και οι μετακινήσεις αυτές, τις οποίες ο συγγραφέας (αυτο)μεταφράζει σε νέα αρχειακά σώματα και γλώσσες. Οι «μπλε μαγΝήτες» συντίθενται με τα εργαλεία που ο Ν.Κ. χρησιμοποιούσε στα εργοστάσια και τους χώρους στους οποίους εργάστηκε –παχύμετρα, μικρόμετρα–, αλλά και με εργαλεία όπως το φασματογράφημα (εδώ, η οπτικοποίηση των ήχων των αρχειακών εικόνων) και την ίδια τη διαδικασία της μετάφρασης. Το βιβλίο οικειοποιείται τον ξεχασμένο και πλέον δύσχρηστο τύπο του «μπλε μαγνητισμού» από τον 19ο αιώνα, και επινοεί τα «χιλιόπνοα», μια μονάδα μέτρησης που στη διαρκή της απόκλιση αναδεικνύει το παράδοξο του να είναι κανείς ταυτόχρονα κοντά σε και μακριά από μια γλώσσα, ένα σώμα, ένα εγώ που ονομάζουμε οικειότητα. Yiannis Andronikidis · blUe mixtape (with a deviating calliper) News / Νέα: 08.05.2026: Reading excerpts from blUe magnets&nbsp;at mammot Athens, as part of the exhibition ‘HOME SWEET HOME’ with works by Romane Bourgeois curated by Christina Reinhardt [link to space]. 28.01.2026: Presenting the (re)archiving and translating process behind &amp; reading excerpts from blUe magnets, at the online “Double Bill: Somatechnics of Memory in Family Archives: Embodiment, Transmission, Return,” The New Centre for Research &amp; Practice [link]. 05.08.2025: Reading from blUe magnets on the online launch of antiphony issue no. 7 [link to issue]. 01.08.2025:&nbsp; blUe magnets are reviewed by Fani Avramopoulou for the August issue of antiphony [link]. Excerpts:&nbsp; &nbsp; &nbsp; &gt; “Andronikidis plumbs the archive's depths and emerges with language that buzzes with a haunted electricity. The family archive grows ears, becomes a body, the body becomes time, and the body in time becomes labor, goes on strike.”&nbsp; &nbsp; &nbsp; &gt; “The concept of the "monument" that Andronikidis invokes here bears little resemblance to the sorts of hard, cold objects we might ordinarily associate with monuments. The word comes from the Latin "monere": to remind. Andronikidis's "monu:mouth" brings the act of remembering and reminding back into the body. The monument becomes a verb that takes place in a living organ, translating the past into a felt utterance.”&nbsp; &nbsp; &nbsp; &gt; “The repeated looping in blUe magnets traces N.K.'s migration to Switzerland and Canada, and his return home. It also traces the intimacy in the art of translation—of entering into another's language in order to feel out the contours of one's own mouth. As the book spirals into the archive, it begins to retreat into itself, rewinding its own tape in another tongue and returning to its first letter, which has now taken a different shape.” 29.05.2025: Reading bilingual rearrangements from blUe magnets on the occasion of Arielle Burgdorf’s JEANNE sonic book launch, MOIST / Montez Press Radio [link] 13.12.2024: Παρουσίαση Βιβλίου: μπλε μαγΝήτες: μερικά χιλιόπνοα μακριά από την οικειότητα, A) GLIMPSE) OF) Athens, 2024, στο βιβλιοπωλείο Κομπραί, Αθήνα. Για το βιβλίο θα μιλήσουν: Μαρία Σιδέρη, Όλγα Βερελή, Franck-Lee Alli-Tis aka V Stylianidou. «Οι μπλε μαγνήτες περιβάλλονται από μια σοφά επιλεγμένη θολότητα μέσα από την οποία το συγγραφό επιτυγχάνει να αγγίξει αυτό το χαλαρό σημαίνον που, όπως επισημαίνει η Μannoff, καθιστά το αρχείο (2004). Ίσως η λέξη θολότητα δεν είναι κατάλληλη, αλλά αυτό που τόσο εύστοχα περιγράφει η Arlette Farge παραλληλίζοντας το αρχείο με μια χαραμάδα στο υφάδι του χρόνου ή ακόμα καλύτερα με ένα ξεγύμνωμα (2004). Μέσα από αυτή τη χαραμάδα το ξεγύμνωμα αυτού του αρχειακού σώματος κλονίζεται και αποκαλύπτει μια οικειότητα που δημιουργεί χώρους ρευστότητας και αντίστασης.[...] Ο ήχος βγαίνει μπροστά από τις θολές εικόνες και μαζί του ξεθάβει ανείπωτες οικογενειακές ιστορίες τραύματος, τις αναλώσιμες ζωές/σώματα στην ξενιτιά, τη δουλειά στα εργοστάσια, στα εστιατόρια, το νικέλιο, τον καρκίνο της γιαγιάς, την επιστροφή στην πατρίδα. Πάνω σε αυτές υφαίνεται και η μπλε απαλή οικειότητα του παρόντος και του παρόντος, που μέσω της γραφής και της δικής του τρυφερής πνοής επουλώνει αυτές τις ιστορίες συλλογικά, κολλημένος σαν δεξί χέρι στο κρεβάτι της γιαγιάς μετράει απαλά τις ραβδώσεις στα χέρια της. » --- Μαρία Σιδέρη «Η μνήμη θαμπώνει σαν τζάμι στη βροχή και δεν ξέρει ποιο πρόσωπο είναι αυτό που μαγειρεύει για μένα. Είναι η Σ.Ζ. ή κάποιο άλλο άτομο στο μέλλον όπου η οικειότητα είναι ένα χιλιόπνοο πιο κοντά; Δεν θυμάμαι αν ήταν πάντα 1978. Δεν θυμάμαι αν δούλευα μέσα στον καπνό ή αν ήμουν διπλωμένη σφιχτά μέσα στις στοίβες με τα περιοδικά που χώριζαν το εστιατόριο με το παντοπωλείο. Ήμουν πάντως ένα σύνολο μικροοργανισμών, βιβλίων και αποδείξεων, ένα σύνολο άπειρων ατόμων πριν από εμένα. Το αρχείο είναι μια έκκριση χειρονομιών, αγάπης, έκφρασης, οικειότητας – μια έκκριση που δεν μπορεί να συγκρατηθεί. Αλλιώς δε θα είχαμε ποτέ γεννηθεί. Ανάμεσα στα χιλιόπνοα, εμείς.» --- Όλγα Βερελή «Εργαλείο #1 PReP μαζί με τος ιούς του αρχείου Σε βλέπω να τοποθετείς στη βάση γύρω γύρω από το κουτί των φαντασμάτων/φασματογραφημάτων μαγνήτες, μπλε μú ψιθυρίζεις Σε βλέπω να πριονίζεις αυτούς τους μαγνήτες και να τοποθετείς τα αποσπάσματά τους / περάσματα, μú ψιθυρίζεις/ στη βάση γύρω γύρω από το κουτί των φαντασμάτων/φασματογραφημάτων Σε ακούω να πριονίζεις το αρχείο τις ιστορίες, τα σώματα, τα υποκείμενα και τα εγώ του, τα φύλα του, τα ονόματά του (μαγνητικά) Ψήγματα ονομάτων, σωμάτων, ιστοριών, εγώ και φύλων Πλησιάζουν και από(μα)κρύνουν Τοποθετώ το αυτί μu στα μαγνητισμένα ψήγματα Εκπέμπουν » ---&nbsp; Franck-Lee Alli-Tis aka V Stylianidou https://yiannisandronikidis.com/brossura-manual-of-pirate-languages Sat, 26 Aug 2023 17:10:09 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/brossura-manual-of-pirate-languages DETAILS PER-ISSUE at A) GLIMPSE) OF) Press. AVAILABLE UPON EMAILING AT&nbsp;brossura@proton.me &amp; yiannisandronikidis@gmail.com You can find brossura at / Μπορείτε να βρείτε τη brossura στα εξής: International: HOPSCOTCH BERLIN (Berlin)12:15 Reading Room (Vilnius, Lithuania)Good Press (Glasgow) WENDY’S SUBWAY (Bushwick, Brooklyn) Ελλάδα / Greece:&nbsp; Βιβλιοπωλείο Αμόνι, Άνω Περτάλωνα, ΑθήναΒιβλιοπωλείο Πολιτεία, Αθήνα / Politeia Bookstore, Athens (issue 1) (issue 2) (issue 3) (issue 4) Βιβλιοπωλείο Κομπραί, Αθήναμίνι μάρκετ της οδού Βαλτετσίου 50-52, Αθήνα Ακυβέρνητες Πολιτείες, Θεσσαλονίκη News: Issue 3 was launched at the Athens Art Book Fair 2024 (October 4-6). Issue 5 will be presented along with texts from previous issues at KET, Athens in December 2025. https://yiannisandronikidis.com/heh-THO Thu, 20 Apr 2023 22:04:51 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/heh-THO <img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/db09fc59c626fd99ab89bc70bb7c2e3fb07aee2bc8723b6709a9a3190c04ebb3/--31.png" data-mid="180488127" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/db09fc59c626fd99ab89bc70bb7c2e3fb07aee2bc8723b6709a9a3190c04ebb3/--31.png" /> 2023 ______________________ ( print publication ) w/ Mojca Radkovič design: Ilia Gromov ______________________ In summoning heh-THO, we are summoning a spatial referent. In summoning, as in desiring (demanding) heh-THO, we are also summoning a temporal referent: the here is the here-and-now. In speaking about heh-THO we are dissecting, metabolizing, and opening up the previous referents by means of orality—an orality of the here-and-now, which lives off the ephemeral nature of &nbsp; &nbsp; (I) quasi-romanticizing crying discourse, &nbsp; &nbsp; (II) choriambs compulsively dancing around,&nbsp; &nbsp; (III) orange accounts on how to pluck a fruit,&nbsp; &nbsp; (IV) hedo(il)logicalities,&nbsp; &nbsp; (V) pleasure machines, or machine pleasures,&nbsp; &nbsp; (VI) eu-dai(e)monics, &amp;&nbsp; (VII) screaming therapy sessions. CONTENTS: I. “quasi-romanticizing crying discourse” II. dum-di-di-dum, or Odes 1.11 III. how to pluck a fruit IV. hedo(il)logical V. pleasure machine / machine pleasure ‘Reward Centre’ VI. eu-dai(e)monics VII. screaming therapy sessions Hed’Appendix {in-folding} <img width="5444" height="3649" width_o="5444" height_o="3649" data-src="https://freight.cargo.site/t/original/i/83145326355ccf45718bc396ca6d9da226a612de9c0ece0b06191e4dd997a08e/000037.JPG" data-mid="181158523" border="0" src="https://freight.cargo.site/w/1000/i/83145326355ccf45718bc396ca6d9da226a612de9c0ece0b06191e4dd997a08e/000037.JPG" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9964c2cd39aa93e0b74390d4d951397743f04536078d631283daf97c0330ea53/IMG_8474.jpg" data-mid="234785357" border="0" src="https://freight.cargo.site/w/1000/i/9964c2cd39aa93e0b74390d4d951397743f04536078d631283daf97c0330ea53/IMG_8474.jpg" /> <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cfb8036fd1989c368b514d3222a034c49c456e18cec46fc0d9fec4273a0b20f0/IMG_8499.jpg" data-mid="234785358" border="0" src="https://freight.cargo.site/w/1000/i/cfb8036fd1989c368b514d3222a034c49c456e18cec46fc0d9fec4273a0b20f0/IMG_8499.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3a9a2164d18263c12a9be07b179ebcd3af5b787bd7822fd1919f9ecf1938de26/IMG_8430.jpg" data-mid="234785359" border="0" src="https://freight.cargo.site/w/1000/i/3a9a2164d18263c12a9be07b179ebcd3af5b787bd7822fd1919f9ecf1938de26/IMG_8430.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4236023005dcfc6cc52c32f8b1fc8235ae38d2cc51af67918676757fb67c97cc/IMG_8419.jpg" data-mid="234785360" border="0" src="https://freight.cargo.site/w/1000/i/4236023005dcfc6cc52c32f8b1fc8235ae38d2cc51af67918676757fb67c97cc/IMG_8419.jpg" /> <img width="2000" height="1501" width_o="2000" height_o="1501" data-src="https://freight.cargo.site/t/original/i/ed7e78a5fe6f66021210fa603848d4724718385caf34e64fb13d948c2b1f7c54/heh-tho.jpg" data-mid="234785361" border="0" src="https://freight.cargo.site/w/1000/i/ed7e78a5fe6f66021210fa603848d4724718385caf34e64fb13d948c2b1f7c54/heh-tho.jpg" /> https://yiannisandronikidis.com/Fade-Radio Sat, 12 Nov 2022 17:20:11 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/Fade-Radio VIDEO CLUB by Coated SpiritsYiannis Andronikidis &amp; Lefen Graphic Design:&nbsp; George V. Pakalidis 2022 – Ongoing fade.radio &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2078da7efc9ad5c625ebfac55f692a2336ff2410d67903b38bb414f61c8b0ec0/Has-Jim-Jarmusch-Put-Us-in-This-Mood-or-Journal--Day-I-22011953-Thursday-we-thought-of-sound-autobiography.-Might-there-be-such-a-thing-Probably-more-and-less-than-we-think.-It-was-such-a-relief-to-be-work-13.png" data-mid="172269943" border="0" src="https://freight.cargo.site/w/1000/i/2078da7efc9ad5c625ebfac55f692a2336ff2410d67903b38bb414f61c8b0ec0/Has-Jim-Jarmusch-Put-Us-in-This-Mood-or-Journal--Day-I-22011953-Thursday-we-thought-of-sound-autobiography.-Might-there-be-such-a-thing-Probably-more-and-less-than-we-think.-It-was-such-a-relief-to-be-work-13.png" /> &nbsp; &nbsp; &nbsp;<img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d64dae7cd2abae16e2cb905e54c2732367e3d73395a763d779fd484350786929/VIDEO-CLUB--RADIO__.png" data-mid="215255893" border="0" src="https://freight.cargo.site/w/1000/i/d64dae7cd2abae16e2cb905e54c2732367e3d73395a763d779fd484350786929/VIDEO-CLUB--RADIO__.png" />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;Fade Radio · VIDEO CLUB w/ Coated Spirits &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; https://yiannisandronikidis.com/Translation-as-an_Archival-Process-2021-Ongoing Mon, 08 Aug 2022 10:17:44 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/Translation-as-an_Archival-Process-2021-Ongoing Translation as an_Archival Process 2021 – Ongoing PART I: Poem Letters (#1–4) Haus der Kulturen der Welt, Berlin October 2021 – February 2022 Accompanying description, from The Whole Life Academy’s Website (20.12.2021): Yiannis Andronikidis’ series of Poem Letters (#1–4) initiates an ongoing research project around translation as an_archival process. A bilingual epistolary and poetic correspondence unfolds onto relief paper surfaces, upon which photographs selected from his personal and family archive (1960s–1980s / 2000 onwards) have been printed. Through different epistolary poetic forms, two fictional characters discuss the notion of ‘the archive,’ autobiography (here, the term “autobiology” is adopted) and thus the body archive of both the interlocutors and, naturally, of the archival material itself.&nbsp; &nbsp; &nbsp; &nbsp; The research project commences with Jacques Derrida’s ‘the archive always holds a problem for translation.’ While acknowledging “the unstable limit between public and private […] between the family and an intimacy even more private than the family, between oneself and oneself,” it problematises fixed definitions of ‘problem’ and ‘trouble’ –wherein also dis/comfort– and suggests a contingent understanding and interpretation of the textual and the photographic. [1]&nbsp; &nbsp; &nbsp; &nbsp; The aim of the research project is not to designify the archival material (the photographs) by means of the poem letters, but to call for a reimagination of the ways we “read” and “trans(re)late” archival material. Yiannis Andronikidis explores the latter in the space(s) between the nameable and the unnamable, the translatable and the untranslatable, between compulsive and nostalgic repetition, archive and anarchive, between oneself and oneself. [1] Jacques Derrida, “Theses.” Archive fever: a Freudian impression. Translated by Eric Prenowitz, Chicago: University of Chicago Press, 1996 [arkheion]: &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; I breathed in your dust &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Factories in black and white&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; I breathed in Widnau &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Something She Called a Fever&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; like portable assertion&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;a paradoxical assertion &nbsp; &nbsp; &nbsp; &nbsp; I breathed &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; But–&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp; it cannot be a [beginning] assertion&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; the fact that&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; I breathed Re: [Αρχειακό Ευπρόσιτο]:&nbsp; &nbsp; ημερολόγια της ηλικίας&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; είναι τα έργα {σπονδυλωτά} και μοιάζουν γεύσειςλιωμένες σημάδια στο φως sun κομμάτια μυθολογίας γεύσεις με σκοτεινό [obscure] και χαμηλό τοπίο μεμβράνες σκιώδεις χνούδια [dust] με διάβρωση βύθισμα αρχείο κολλώδες τοπίο–&nbsp; excerpt, Poem Letter #4, “breathing area” PART II: “Poem Letters”: Documents I–X &nbsp; k41, Copenhagen May – June 2022 <img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/c094b9e952f9a3fc71376cb39655a55dd0ab0bbd89aa601a806dfc0f5e997208/DOCUMENT-II.png" data-mid="149872826" border="0" src="https://freight.cargo.site/w/1000/i/c094b9e952f9a3fc71376cb39655a55dd0ab0bbd89aa601a806dfc0f5e997208/DOCUMENT-II.png" /> Part of the accompanying text, as included in Remember When We Met: […] The documents selected for the exhibition Remember When We Met elaborate words-images-archives as artistic outputs of a ‘creative misunderstanding’: cognating the archival with the personal/familial and the sonic/aural, recontextualizing the epistolary poetic form through fragmented reiterations of affective sounds, intermediate states embroiled in opalescent memories and impromptu movements metabolized in limbo. <img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/a2feec16dfb54f755ac86594d682d24381d8c7fdf880a0556cf9f43a7cde3588/DOCUMENT-IX.png" data-mid="149873733" border="0" src="https://freight.cargo.site/w/1000/i/a2feec16dfb54f755ac86594d682d24381d8c7fdf880a0556cf9f43a7cde3588/DOCUMENT-IX.png" />“Document IX” <img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/e4f577ca6e1a40d2888fe42d0677a2dce0d2bdee8a96acd158105e6664d5f6a1/DOCUMENT-VIII.png" data-mid="149873906" border="0" src="https://freight.cargo.site/w/1000/i/e4f577ca6e1a40d2888fe42d0677a2dce0d2bdee8a96acd158105e6664d5f6a1/DOCUMENT-VIII.png" /> “Document VII” Lefen · “Poem Letters”: Documents I–X W/ Yiannis AndronikidisAudio Documents,&nbsp;“Poem Letters”: Documents I–X (also available on Bandcamp) PART III: 767, or The Dance of Life ( print publication )&nbsp;Footnote Center for Image &amp; Text &amp; Kulturni Centar Magacin, Belgrade May 2023 767, or The Dance of Life is a two-part work written while in residency at Footnote Centre for Image &amp; Text, and printed by Jovan Jović at Kulturni Centar Magacin (Belgrade, Serbia). It was presented alongside a titular audiovisual installation—created in collaboration with Johanna Gschwend, Moritz Hossli, and Evangelos Gkountonis (Lefen)—at the exhibition ‘Vulkanizer’ at Ostavinska, Kulturni Centar Magacin [May 26–27, 2023].&nbsp; &nbsp; It comprises:&nbsp; &nbsp; [1] a zine exploring the expansiveness of what could be a number/an address/a decelerating vehicle/a teeming wound/a valley of accidents… in the company of Robert Frei (fictional) and a 19th-century (ghost-)writer/pamphleteer/“textual hacker” (non-fictional), &nbsp; &nbsp; &amp; [2] an audiovisual installation, made in collaboration with Johanna Gschwend, Moritz Hossli, and Evangelos Gkountonis, tracing a once-existing street address in Widnau (St. Gallen, Switzerland), where his grandfather used to live and work in the early 1960s.&nbsp; &nbsp; 767, or The Dance of Life was presented as part of the exhibition ‘Vulkanizer’ at Ostavinska (Belgrade, Serbia) on May 26-27, 2023. <img width="1414" height="2000" width_o="1414" height_o="2000" data-src="https://freight.cargo.site/t/original/i/25e0fdaadeb64bfdd66de628df70e580faf84268570ba556d7203fd65113cd5d/Final-767-2.png" data-mid="179387118" border="0" src="https://freight.cargo.site/w/1000/i/25e0fdaadeb64bfdd66de628df70e580faf84268570ba556d7203fd65113cd5d/Final-767-2.png" /> <img width="1414" height="2000" width_o="1414" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c73090ef38d327548949dec2d6e3c5fa75573ea91a008f10b605bdcd114ef91b/Final-767-3.png" data-mid="179389487" border="0" src="https://freight.cargo.site/w/1000/i/c73090ef38d327548949dec2d6e3c5fa75573ea91a008f10b605bdcd114ef91b/Final-767-3.png" /> PART IV: *** a bilingual print publication, blUe magnets: a few millibreaths away from intimacy, is out by&nbsp;A) GLIMPSE) OF) *** for a copy email yiannisandronikidis@gmail.com&nbsp;and&nbsp; info@aglimpseof.net the book was launched at the Athens Art Book Fair 2024 (October 4-6),&nbsp; and presented at Kombrai Bookstore in Athens on December 13, 2024. https://yiannisandronikidis.com/Helter-Skelter-2021 Mon, 08 Aug 2022 11:44:11 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/Helter-Skelter-2021 Helter Skelter 2020 ______________________ I see (it) because of you k41, Copenhagen [w/ Evan Gkountonis] ______________________ hel·ter-skel·ter | hel-tər-ˈskel-tər 1: in undue haste, confusion, or disorder 2: in a haphazard manner άνω-κάτω [áno-káto] adv ① up and down (syn απάνω-κάτω): τρέχει ~ | κοίταξε ~ ανήσυχα | κόσμος πολύς αναδεύονταν ~ και πέρα-δώθε (Christovasilis) ② in a state of disarray, upside down, topsy-turvy (syn L φύρδην μίγδην): τα έκανε όλα ~ he made a mess | το σπίτι είναι ~ | τα κλαδιά είχαν κάνει τα μαλλιά της ~ | ο πόλεμος έβαλε δυναμίτιδα στη γεωγραφία και την έφερε ~ (Athanasiadis-N) | το σκόρπισμα των αρχείων και οι ομαδικές λιποταξίες είχανε κάνει τα μητρώα ~ (Myriv) | οι βουλευτές τα έκαναν όλα ~ και καταστρέψανε την αρχιτεκτονική του νομοθετήματος (Theotokas) ⓐ phr κάνω or φέρνω κάποιο μέρος ~ to look high and low (for sth), leave no stone unturned, turn upside down or inside out: έκανα τον κόσμο ~ αλλά δεν βρήκα το πορτοφόλι μου | ο Γ. είχε φέρει το Παρίσι ~ για να βρει τον κατάλληλο ερμηνευτή (Melas) | rembetiko song θα κάνω ~ Περαία και Aθήνα | για να σε βρω Xριστίνα (IPetrop) ③ fig in a state of emotional upset (of people): είμαι, έγινα ~ | ένας φόβος κάνει τον άρρωστο ~ | αυτή η σκέψη μου 'χει κάνει ~την καρδιά | η ιδέα πως ο K. του 'χε γρουσουζέψει το ταξίδι τον έκανε ~ (Bastias) ⓑ phr γίνομαι ~ (με κάποιον) fight or quarrel w. s.o.: poem .. πρόσεχε, μήπως η αμάχη ετούτη | γίνει αφορμή στους δυο μας κάποτε και γίνουμε ~ (Homer Il 4.38 Kaz-Kakr) [fr postmed &amp; MG άνω-κάτω ← K, AG, paratactic cpd of άνω κάτω] Helter Skelter (2020) is a short film that examines the im/material relations entangled in the creation of (fictional) archives. <img width="1366" height="768" width_o="1366" height_o="768" data-src="https://freight.cargo.site/t/original/i/2c798ce6f77897cd0622be2008e40ae5b94d32f127085da3e66360a4df72dbdf/Screen-1.png" data-mid="150280619" border="0" src="https://freight.cargo.site/w/1000/i/2c798ce6f77897cd0622be2008e40ae5b94d32f127085da3e66360a4df72dbdf/Screen-1.png" /> ♫ On the first part of the journey / I was looking at all the life ♫ ♫ Why, Why ♫&nbsp; ♫ Don’t, don’t panic / Don’t, don’t panic / But what if that’s all I’m good at? ♫ <img width="2196" height="1337" width_o="2196" height_o="1337" data-src="https://freight.cargo.site/t/original/i/455de86f6a8e6c52af8ff92b8e77e49601ecad44d218f1bac9ad409df85dccab/.-5--detail1.png" data-mid="149972070" border="0" src="https://freight.cargo.site/w/1000/i/455de86f6a8e6c52af8ff92b8e77e49601ecad44d218f1bac9ad409df85dccab/.-5--detail1.png" /><img width="2127" height="1182" width_o="2127" height_o="1182" data-src="https://freight.cargo.site/t/original/i/c7e5ce832018d734ab84643237f18b2924b2bb7926625f7339304ce9d7fa703d/.-5--detail2.png" data-mid="149972230" border="0" src="https://freight.cargo.site/w/1000/i/c7e5ce832018d734ab84643237f18b2924b2bb7926625f7339304ce9d7fa703d/.-5--detail2.png" /> https://yiannisandronikidis.com/Rymnio-2020 Mon, 08 Aug 2022 12:03:02 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/Rymnio-2020 Rymnio2020photographic project ______________________ Rymnio is a settlement located on the southwestern shores of the artificial lake of Polyphytos (Kozani, Greece). <img width="3130" height="2075" width_o="3130" height_o="2075" data-src="https://freight.cargo.site/t/original/i/913198d00c987751fa6304a70f8522201ba45bb22d2d08a5edd71569ddd93f2e/05350020.JPG" data-mid="149878007" border="0" src="https://freight.cargo.site/w/1000/i/913198d00c987751fa6304a70f8522201ba45bb22d2d08a5edd71569ddd93f2e/05350020.JPG" /> <img width="3130" height="2075" width_o="3130" height_o="2075" data-src="https://freight.cargo.site/t/original/i/f07c41e5905877bdfd2627ce33b6b6b244b593a3cab44637268c8b0022c03811/05350021.JPG" data-mid="149878060" border="0" src="https://freight.cargo.site/w/1000/i/f07c41e5905877bdfd2627ce33b6b6b244b593a3cab44637268c8b0022c03811/05350021.JPG" /> <img width="3130" height="2075" width_o="3130" height_o="2075" data-src="https://freight.cargo.site/t/original/i/53dee26df7cdd9113147d2fc10be9f85dad9cd710bafaf83135ee9ac734983e3/05350017-2.JPG" data-mid="149878806" border="0" src="https://freight.cargo.site/w/1000/i/53dee26df7cdd9113147d2fc10be9f85dad9cd710bafaf83135ee9ac734983e3/05350017-2.JPG" /> <img width="3130" height="2075" width_o="3130" height_o="2075" data-src="https://freight.cargo.site/t/original/i/2ff2f88411f8d654e4cd78128532ebc482211f544dab584962470077dadda9b8/05350018.JPG" data-mid="149878555" border="0" src="https://freight.cargo.site/w/1000/i/2ff2f88411f8d654e4cd78128532ebc482211f544dab584962470077dadda9b8/05350018.JPG" /> https://yiannisandronikidis.com/Texts-Translations Tue, 16 Aug 2022 11:04:29 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/Texts-Translations TALKS / READINGS / PERFORMANCES • Reading poems from blUe magnets &amp; new ones at Avli Kipseli, Athens, Greece along w/ Ari Banias, Carol Sansour, Christina Reinhardt, Golnoosh Nourpanah, Maxe Crandall, μητσουλακι, Pauline van Mourik Broekman [11.07.2026; link to Avli Kypseli]. • Presentation of Poetry-Curatorial-Artistic Practise as part of “Poetry as Contamination” Seminar led by Sofia Bempeza, Institute of Studies in Art and Art Education, Art and Communication Practices,&nbsp;University of Applied Arts Vienna/dieAngewandte [11.06.2026; online] • Reading excerpts from blUe magnets at mammot Athens, as part of the exhibition ‘HOME SWEET HOME’ with works by Romane Bourgeois curated by Christina Reinhardt [08.05.2026;&nbsp;link to space]. • Presenting the (re)archiving and translating process behind &amp; reading excerpts from blUe magnets, at the online “Double Bill: Somatechnics of Memory in Family Archives: Embodiment, Transmission, Return,” The New Centre for Research &amp; Practice [28.01.2026;&nbsp;link]. • Reading from blUe magnets on the online launch of antiphony issue no. 7 [05.08.2025;&nbsp;link to issue]. • Reading bilingual rearrangements from blUe magnets on the occasion of Arielle Burgdorf’s JEANNE sonic book launch, MOIST / Montez Press Radio [29.05.2025; link] • Παρουσίαση Βιβλίου: μπλε μαγΝήτες: μερικά χιλιόπνοα μακριά από την οικειότητα, A) GLIMPSE) OF) Athens, 2024, στο βιβλιοπωλείο Κομπραί, Αθήνα. Για το βιβλίο θα μιλήσουν: Μαρία Σιδέρη, Όλγα Βερελή, Franck-Lee Alli-Tis aka V Stylianidou [13.12.24] • Starved for Weather; Exercises in Storm Squatting, sound work composed with James Hazel, presented at A) GLIMPSE) OF) Experimental Lit &amp; Performance Festival, Feminist Autonomous Centre for research, Athens [November 22; link] • “Convolute H: The Collector” / Reading Walter Benjamin’s The Arcades Project for Sam Dolbear’s Audio Arcades Project, MayDay Radio [09.05.24; link] • “I want to kiss you!” / «Θέλω να σε Φιλήσω!», με αφορμή το βιβλίο της Σοφίας Μπέμπεζα,&nbsp;93 (ΠΑΡΑ) ΟΙΚΙΑΚΕΣ ΙΣΤΟΡΙΕΣ ΓΙΑ ΤΗΝ ΕΛΕΝΗ [ Sofia Bempeza, 93 (PARA) DOMESTIC STORIES FOR HELEN], published by A) GLIMPSE) OF), Kombrai bookstore [29.03.24; published in brossura/ manual of pirate languages 003] • I WILL RETURN / ΘΑ ΕΠΙΣΤΡΕΨΩ, Reading for Palestine, A) GLIMPSE) OF), EIGHT/ΟΧΤΩ [27.03.24] • RE:IN_THE_THROAT_OF_LAUGHTER, performance as Coated Spirits, 6th Balkan Can Kino Film Symposium &amp; Fade Radio, TV Control Centre (Κέντρο Ελέγχου Τηλεοράσεων) [13.10.23; link &amp;&nbsp;link] • Leaky Transmissions #2 Poetry As Field Recording, Arts Catalyst — collaborative audio work made with Nastassja Simensky, Anna Kime, Irina Sadovina, Ceri Nicholls [22.12.2022; link]&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; ○ Poetry As Field Recording, broadcast at Radiophrenia, ‘the light at the end of the dial’ [25.08.23; link; link] • A Participatory Futures Thinking Process for Personal and Professional Development Drawing on Narrative Methods, co-authored with George Profitiliotis and Androniki Papaterpou, Futures Conference 2023,&nbsp;Turku, Finland [14-16.06.23; link] • shudder~shutter~shatter, Coated Spirits x Contextual Mumbling, Fade Radio, Romantso (Athens) [08.04.23; link] • OUR COMMON LANGUAGES, 1st Experimental Literature Festival, co-hosted with Dimitra Ioannou, A) GLIMPSE) OF) [19.12.2022] • ΜΕΤΑ/ΚΗΠΟΙ [META/GARDENS], Reading Performance with Dimitra Ioannou, as part of the exhibition “Sheltered Gardens,” Polygreen Culture &amp; Art Initiative, Athens [22.09.2022; link] • Q+A HEKLER, with Jelena Prljević, Joshua Nierodzinski, Nataša Prljević, Kathryn Zazenski [22.09.2022; link] • HEKLER:&nbsp;Decentralized Archives, a discussion with Jelena Prljević (HEKLER), Athens Art Book Fair 2022 [24.09.2022; description,&nbsp;link; audio document, link] • The WhatsApp Common Archive, collective contribution to The Whole Life Academy, HkW, Berlin | with Arnika Ahldag, Mudar Al-Khufash, Eva Bentcheva, Barbara Cousin, Patricia Couvet, Gulzat Egemberdieva, Ann Harezlak, Johanna Heide, and Sooyoung Leam [13.03.22; link] • Transmission, reading/recording from the titural novella written by Jean-Christophe Couet &amp; James Price [05.05.21; link] •&nbsp;Investigative Document(arie)s: Common Means for Anti-fascist Resistance, Presentation at ‘Antifascisms: How to act up?’ Conference, Moderated by: Ewa Majewska, Warsaw, Poland/Online [26.11.20; link] EXHIBITIONS • “Vulkanizer II,” Group Exhibition, Galerija Tir, Nova Gorica, Slovenia [30.11–26.12.24] • With&nbsp;brossura | manual of pirate languages at the exhibition „in a maze“ artists books and publications, curated by Marija Repšytė at the M. K. Čiurlionis National Museum of Art&nbsp;(Kaunas, Lithuania) [28.06–29.09.24 ; link] • “Vulkanizer,” Group Exhibition, Ostavinska, KC Magacin, Belgrade, Serbia [26 –27.05.23; see Part III&nbsp;here] • “TIEPIDO COOL By Davide D’Elia,” contribution to the collective artwork and the exhibition, Grad Gallery, KC GRAD – //CULTURAL CENTER GRAD, Belgrade, Serbia [27-30.04.23] • “Fade Radio 2 Years Anniversary,” Romantso (Athens), with the work shudder~shutter~shatter under Coated Spirits x Contextual Mumbling [08.04.23; link] • “RWWM, Vol. 2,” k41, Copenhagen, with the poetry-audio-installation Poem Letters: Documents I-X [01.06.22; link] • “I see (it) because of you,” k41, Copenhagen, with the video work Helter Skelter [19.06.21; link] FESTIVALS • The New Present Tense, Experimental Literature &amp; Performance Festival, Feminist Autonomous Centre for research, Athens [November 22-23; co-curating with Dimitra Ioannou] • Syn/biosis, Experimental Literature &amp; Performance Festival, EIGHT / ΤΟ ΟΧΤΩ, critical institute for arts and politics, Athens; co-organized with Dimitra Ioannou &amp; Antonis Katsouris [25-26.11.23] RESIDENCIES • April/May 2023 — Footnote Centre for Image &amp; Text (Belgrade, Serbia) [link &amp; link] WORKSHOPS • Syn/biosis, as part of the titular Experimental Literature &amp; Performance Festival, EIGHT / ΤΟ ΟΧΤΩ, critical institute for arts and politics, Athens; with Dimitra Ioannou [26.11.23] • Imag(in)ing Technē,&nbsp;Foundation for Research &amp; Technology – Hellas (FORTH), Creta, Greece [29.09.23] • Reco(r)dings &amp; Transcriptions, Četiri Vode [Four Waters], HEKLER, Ljubanje, Užice, Serbia [10.07.23; link] • How does friendship impact art practice?, HEKLER Collective Workshop (with Jelena Prljević and Miloš Bojović)—Bojana Videkanić’s Class “Issues in Contemporary Art” (Fall 2022), Department of Fine Arts, University of Waterloo, Canada [23.11.2022] BROADCASTING • Video Club by Coated Spirits (2022 -&nbsp;Ongoing), Fade Radio [link] • Civil Servant, Love by Lefen &amp; Nur Du, NTS Radio [29.8.22; link] PRINT PUBLICATIONS (brossurae, zines, etc.) • brossura | manual of pirate languages [experimental bilingual print periodical; co-edited with Dimitra Ioannou; October 2023 - ] • 767, or The Dance of Life [zine; May 2023; see Part III here] • heh-THO, w/&nbsp;Mojca Radkovič [zine; May 2023; see here]&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&gt; copies at Footnote Centre for Image &amp; Text (Belgrade, Serbia); also, a copy at Zine Vitrine at&nbsp;DobraVaga, Ljubljana [link] BOOKS • blUe magnets: a few millibreaths away from intimacy, A) GLIMPSE) OF) [October 2024; bilingual EN/GR; ORDER HERE] SELECTED TEXTS •&nbsp;“even if I must die I am saying I love you”: A Conversation between Phanuel Antwi and Yiannis Andronikidis about “On Cuddling: Loved to Death in the Racial Embrace,” introduced by Sakiru Adebayo, TOPIA: Canadian Journal of Cultural Studies, Vol. 51, pp. 8–24, University of Toronto Press, 12 May 2026, DOI: https://doi.org/10.3138/topia-2025-0040. •&nbsp; Hammer the Present Cochineal Red, translative response to Sam Creely’s book “Inventorys” (2025),&nbsp;brossura/ manual of pirate languages 005 [November 2025; in print] • like the head of the pin to the touch, our fucks a metal fastening, brossura/ manual of pirate languages 004 [April 2024; in print] • “I HAVE IT IN MY EAR,” text in correspondence with Mojca Radkovič around Patrizia Cavalli’s poetry, Robida 10 [August 2024; link] • PARASOL LANGUAGES. a staging. (On Anna Mendelssohn’s Reader), brossura/ manual of pirate languages [February/March 2024; in print] •&nbsp;Noisy After-Wor(l)ds: On Soil-Reading &amp; Soil-Writing, Robida 9 [November 2023; in print] • Ana_Saíno &lt;or a series of attempts at defining peripheral&gt; At Work, brossura [October 2023; in print] &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; (* written in the context of Ana de Almeida’s After-Work, in the framework of the&nbsp;education project What to do after work? at Kunsthalle Wien, March-April 2023 *) • Creative Groundlessness: Rehearsals in Self-Translation, TripleAmpersand Journal (&amp;&amp;&amp;) [05.08.23; link] • Channel 2, 3: Post-Fight, death of workers whilst building skyscrapers [04.05.23; link] •&nbsp;A marathon of, written in the context of shudder~shutter~shatter, Coated Spirits x Contextual Mumbling, Fade Radio, Romantso (Athens) [08.4.23] • “Poem Letters”: Documents I–X, text accompanying the titular contribution at the Remember When We Met Vol.2 exhibition, k41, Copenhagen [11.06.2022; link] • Bodies De/Materialising: “Passion – Pause – Desire” in Frieda Liappa’s ‘Love Wanders in the Night’ (1981) and ‘The Years of the Big Heat’ (1991), Ultra Dogme [published: 17.05.2022;&nbsp;link] • Πόσες ζωές ζήσαμε στη Νέα Υόρκη; [How many lives have we lived in New York?]—following Cyrus Cassells—, Hartis Magazine [published: 01.08.2021; link, GR] • Review: “I am thinking of you [in Streams]” – ‘Bella’ (2020), dir. Thelyia Petraki, Ultra Dogme [published: 05.06.2021; link] • à tout à l'heure, Short Story/Archival Entry to NAIAS – New Archive of Syros Humans and Stories, Participatory Archive in Progress by Alexandra Saliba—in the context of the&nbsp;9th Syros International Film Festival (SIFF) [22–26.07.2021] • In media res: Thoughts on Solidarity Through Institutional Renaming, Monumentality, and Reenactment, The Art Columnist [published: 28.12.2020; online and as part of the print publication “The Art Columnist 2.0”] SELECTED TRANSLATIONS • Theodora Malamou, Athens Laundry Μπουγάδα (Dolce Publishing, 2023); EN/GR • Infrastructures of Care, HEKLER Assembly—the result of&nbsp;an online study group exploring the relationship between civic engagement and collectivity through art practice and pedagogy [September 2022; link] • Divya Dwivedi, Nancy's Wager, Philosophy World Democracy [published: 02.02.2022;&nbsp;link, GR] • Jean-Luc Nancy, “The End of Philosophy and the Task of Thinking”, Philosophy World Democracy [published: 12.12.2021; link, GR] • Translation of introductory text and presentation of the work of Cinelimite, Department of Fine and Applied Arts, Florina, Greece—as part of a course led by Harris Kontosfyris [presented: 09.11.2021] • Anti-Fear Workbook: Common Language,&nbsp;multilingual zine and workbook, ANTI-FEAR / PROTIV STRAHA, HEKLER Assembly—as part of the Youth Biennial in Belgrade [23.08.2021; link] • Jean-Luc Nancy, Demosophia, Philosophy World Democracy [published: 24.01.2021; link, GR] • “NO, THIS IS A SCAR” A roundtable discussion on two films about hands, by Maria Lassnig and Ayesha Hameed, Another Screen/Another Gaze [published: 02.04.2021; GR] Many texts, reviews, interviews with filmmakers and artists, as well as translations can also be found at Beater.gr. https://yiannisandronikidis.com/ASTATI-NE Wed, 10 Aug 2022 22:13:44 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/ASTATI-NE ASTATI[NE] Radio Experiment w/ Lefen <img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/e83833802fdb6316f986386c57ba559cd80b9466f1966ec07437740f45ef395d/ASTATINE_Image_1.jpg" data-mid="190162580" border="0" data-scale="21" src="https://freight.cargo.site/w/600/i/e83833802fdb6316f986386c57ba559cd80b9466f1966ec07437740f45ef395d/ASTATINE_Image_1.jpg" /> <img width="1414" height="2000" width_o="1414" height_o="2000" data-src="https://freight.cargo.site/t/original/i/516de1b620809d65811239bbf8bf5cef2f7d436261d6eb6ea51e7c77691ab659/unstable-is-1.png" data-mid="150771523" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/516de1b620809d65811239bbf8bf5cef2f7d436261d6eb6ea51e7c77691ab659/unstable-is-1.png" /><img width="1414" height="2000" width_o="1414" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2ceab1cd74c190cfd682facdba17d1be372348ce83221205bed707de41446be3/unstable-is-2.png" data-mid="150774160" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/2ceab1cd74c190cfd682facdba17d1be372348ce83221205bed707de41446be3/unstable-is-2.png" /> Yiannis I. Andronikidis, ASTATI[NE] - UNSTABLE - ΆΣΤΑΤΟΙ[ΝΑΙ] 1-40, 41-80 (2022) https://yiannisandronikidis.com/About Mon, 08 Aug 2022 11:23:44 +0000 Yiannis Andronikidis https://yiannisandronikidis.com/About <img width="3598" height="4797" width_o="3598" height_o="4797" data-src="https://freight.cargo.site/t/original/i/d8c9ab73c16ee78f5d030e93b53013c3035eb5b7c2d078a7b184742e9c111f81/17.JPG" data-mid="178740745" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/d8c9ab73c16ee78f5d030e93b53013c3035eb5b7c2d078a7b184742e9c111f81/17.JPG" /> © Ivan Heidel YIANNIS I. ANDRONIKIDIS ______________________ Yiannis Andronikidis is an art historian, writer, and translator. After studying History, Archaeology, and History of Art at the Aristotle University of Thessaloniki, he completed his thesis at the Edinburgh College of Art titled Documented subjectivities, artistic autonomy, and the social register: critical analysis of Forensic Architecture’s vision. In 2021, he initiated the research project, translation as an_archival process, as part of The Whole Life Academy (HkW, Berlin), which consists of a series of visual, textual, and audio documents, as well as the book, blUe magnets: a few millibreaths away from intimacy, A) GLIMPSE) OF), 2024. He is co-editor of the journal ‘brossura/ manual for pirate languages,’ and, as part of the collective Coated Spirits, co-curator the radio program ‘Video Club.’ His texts and translations, in different formats, can be found in TripleAmpersand &amp;&amp;&amp;, Robida Magazine, Philosophy World Democracy, death of workers whilst building skyscrapers, Ultra Dogme, Another Gaze/Another Screen, and fade.radio. Since 2022, he has been undertaking research at The New Centre for Research and Practice, centred on modes of rehearsing and archiving in Vilém Flusser, Maryanne Amacher, and Gilbert Simondon. ︎&nbsp;︎&nbsp;︎